Search results for "Arts in general"

showing 10 items of 192 documents

Biotechnology a Source of Knowledge in Agreement with Green Strategies for the Conservation of Cultural Assets

2019

In this study, conservative strategies are applied in order to limit any irreversible damage and to characterize and quantify microbial colonization that may induce the deterioration of constitutive heritage materials; subsequently, suitable antimicrobial interventions are performed based on the use of biotechnology. This paper presents a summary of the basic and applied biotechnology research developed in the Laboratory of Biology and Biotechnology for Cultural Heritage (LaBBCH, University of Palermo, Italy). It shows that biotechnology has an evidently important role in the preservation and restoration of cultural assets, also taking into consideration that “Prevention is better than cure…

0301 basic medicinegreen biocidelcsh:NX1-820biodeterioration; integrated approach; bioactive molecules; green biocide030106 microbiologybiodeterioration integrated approach bioactive molecules green biocide.010501 environmental scienceslcsh:Arts in general01 natural sciencesintegrated approach03 medical and health sciencesbioactive moleculesSettore BIO/03 - Botanica Ambientale E Applicatabiodeterioration0105 earth and related environmental sciencesConservation Science in Cultural Heritage
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Materiality and atmosphere. Two American beat artists painting Europe

2019

The article discusses how European painting heavily influenced two American Beat painters in the post war years. Post-war American painting was often concerned with breaking away from traditional iconography and style, but Jay DeFeo and Joan Brown chose to engage with European traditional painting. Both artists travelled to Europe early in their careers and both declare an intense interest in European painters, paintings, and architecture. In Brown’s case particularly the works of Goya, Velazquez, and Rembrandt become scrutinized and remodeled in her pasty abstract style. De Feo, on her hand, states a particular interest in how the European cities’ distinct colors, lights and textures inspi…

050101 languages & linguisticslcsh:Fine Artsmedia_common.quotation_subjectArt historylcsh:Aamerican abstract expressionismjoan brownlcsh:AZ20-9990501 psychology and cognitive sciencesmedia_commonPaintinglcsh:NX1-820General Arts and Humanities05 social sciencestraditional iconography050301 educationArtlcsh:Arts in generallcsh:History of scholarship and learning. The humanitiesbeat culturebeat artjay defeoeuropean iconographyMateriality (law)Post warVDP::Humaniora: 000::Kunsthistorie: 120lcsh:Nlcsh:General Works0503 educationBeat (music)Cogent Arts & Humanities
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Perdre le fil: labyrinthes de la littérature française moderne

2009

From the day when Theseus killed the Minotaur, the Maze turned into a form in search of meaning, and became useless. As a result, one was enjoined to ascribe nw meanings to the empty strcuture. Modern writers, when confronted with such a void, will have explored all its possibilities: while some of them, like Michel Butor, dismiss the sacred dimensions, others, like Serge Doubrovsky, see in it the image of the self (the body, the psyche...), and others still, like Raymond Roussel, Alain Robbe-Grillet or Georges Pererc, make of the pure geometrical structure of the labyrinth an aesthetic model, and thus a mirror of the work of art. However, one still have to ask whether the labrinth is a val…

Alain Robbe-GrilletGeorges Perec[SHS.LITT]Humanities and Social Sciences/LiteratureRaymond RousselLanguage and LiteratureLittérature française ― 20e siècle ― Histoire et critiqueArts in generalDédaleGéométrieGeometryPCentreSerge Dubrovsky[ SHS.LITT ] Humanities and Social Sciences/LiteratureNX1-820Labyrinthe[SHS.LITT] Humanities and Social Sciences/LiteratureSexeCenteraxe2SexMichel ButorLabyrinthMaze
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De cortesanos y burgueses. Los nacionalismos como motor de la conservación y restauración

2011

[ES] Este artículo analiza el origen y desarrollo de los restauradores decimonónicos en el ámbito institucional español, a partir del estudio de caso de las ciudades de Madrid y Barcelona, como principales exponentes del desarrollo de la restauración española. Por un lado, la constitución de Madrid como capital política condicionó su mayor relevancia cultural, siendo pionera en la configuración del perfil profesional. Además, el centralismo madrileño justificó el protagonismo de la Rea l Academia de San Fernando como principal órgano de control de las restauraciones y del patrimonio. Por otro lado, Barcelona se erigió en el epicentro de la primera Revolución Industrial en España, hecho que …

BarcelonaInstitucionalizaciónVisual Arts and Performing Artslcsh:Fine Artsinstitucionalizaciónlcsh:NX1-820MadridEspecialización profesionalMuseologyespecialización profesionalConservationlcsh:Arts in generalEspecialização profissionalinstitucionalizaçãobarcelonaCentralismoNacionalismoPINTURAcentralismonacionalismolcsh:Nmadridinstitucionalización; centralismoRestauradoresrestauradores
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Las esculturas encargadas por Carlos V a Leone Leoni en 1549 y su acabado en España por Pompeo Leoni

2013

In Brussels in 1549 Charles V commissioned four bronze and four marble sculptures from Leone Leoni, to which were added new orders. The sculptor worked on them, especially the bronzes, in Milan, and they were shipped to Spain along with other works at the time of the arrival of the Emperor and the Court. This article discusses the history and evolution of the marbles and a bust (Prado Museum: E-260, E-262, E-267, E-269, E-291), which were sent from Genoa to Cartagena, where they remained until 1568. After years of neglect, Pompeo Leoni was commissioned to arrange for their transfer to his house in Madrid along with Juan de Lugano, artist and dealer in marbles, where Pompeo finished most of …

BruselasVisual Arts and Performing ArtsLeone Leonimedia_common.quotation_subjectArts in generalBrusselsPortraitSculptureTransportationengineering.materialNX1-820Mármol de CarraraVisual artsEsculturaBronzemedia_commonGenoaPompeo LeoniRenacimientoSculpturebiologyMadridlcsh:NX1-820CartagenaMilanMilánArtRetrato de cortelcsh:Arts in generalbiology.organism_classificationTransporteRenaissanceGénovaBustengineeringEmperorJuan de LuganoHumanitiesCarrara marbleArchivo Español de Arte
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ZĪMES anatomija (in Latvian) The Anatomy of ZIME (in English)

2003

Kas ir ZĪME? ZĪME ir datu kopu standartizēta grafiska reprezentācija. ZĪME sastāv no diviem grafiskiem elementiem: (1) Sieta elementa un (2) Koda elementa. Sieta elementu konfigurācija ir nemainīga. Koda elementu konfigurācija mainās saskaņā ar ievadītajiem datiem. The Anatomy of ZIME What is ZIME? ZIME is a standardized graphical representation of data sets. ZIME is built of two graphical elements: (1) Sieve element and (2) Code element. Sieve elements have always the same configuration, while Code elements are configured according to the input data.

CB History of civilizationHT Communities. Classes. RacesQA75 Computer scienceNX Arts in general
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Zeitgeist et "Esprit des profondeurs" dans les images du Livre Rouge

2014

Le Livre Rouge apporte des éléments nouveaux sur le rapport de Jung à l’art pictural. L’étude se propose de replacer et d’étudier les images du Livre Rouge dans le contexte des discours sur l’art de l’époque. Pour ce faire, on s’intéressera dans un premier temps à la réception par Jung du discours sur « Abstraction et Einfühlung » de Worringer dans les Types psychologiques et à l’expérience de la « tentation » esthétique, faite par Jung dans Le Livre Rouge. On s’intéressera ensuite au discours des peintres expressionnistes, en particulier du mouvement du Cavalier bleu (Der Blaue Reiter) et on soulignera certaines similarités de fond et de forme avec les images du Livre Rouge. La conclusion …

Cultural StudiesimagesLiterature and Literary TheoryArts in general[ SHS ] Humanities and Social Sciences[SHS] Humanities and Social SciencesC.G. JungNX1-820Livre RougeComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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Post memory and cinematic affect in The Midwife

2017

The Second World War has proved a rich source of inspiration for fiction films worldwide. The Finnish fiction film The Midwife (Kätilö, Antti J. Jokinen, 2015) is aimed at an international audience with a story that takes place in the context of the Lapland War in Finland in 1944. The film tells of a romantic relationship between a local woman and a member of the German army, in a highly affective manner. This article argues that the film downplays elements that might have interested the national, or local, audience, and that it privileges affect over knowledge. To bring out the film’s transnational character, the article begins by analysing it in the context of national, or local, and glob…

Cultural Studieslcsh:BH1-301LappiVisual Arts and Performing ArtsLapland WarLapin sota0507 social and economic geographyAppealContext (language use)elokuvatlcsh:AestheticsGermanSuomilocalKätilömuistaminenSociologySet (psychology)The Midwifelcsh:NX1-82005 social sciencesWorld War IIMedia studiesFinnish cinemaGender studies06 humanities and the artslcsh:Arts in general060202 literary studiesglobaltoinen maailmansotaRomancelanguage.human_languageSecond World WarPhilosophyaffectpost memoryta61310602 languages and literaturelanguagePerformance artaffects050703 geographyNexus (standard)
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Live free or die motionless : Walking the migrant path from Italy to France

2018

This essay and the photographs examine visual traces of irregular mobility in the border landscape between Italy and France. The ruined buildings and objects witness decades of movement of undocumented people on this old migrant path across the mountains. By taking the theoretical concept of multidirectional memory (Rothberg 2009) the essay argues that the Path of Hope can be thought of as a memory site through which the issues of migration in contemporary Europe can be seen in a more sustainable light. The ruins and discarded objects link memories of different places – including different border zones – in ways that allow us to critically examine borders as a practice – rather than as exis…

Cultural Studiesta520HistoryPath (computing)media_common.quotation_subjectRefugeemigrantsfilmmigrationpaperittomat henkilötmaisemaVisual artsmemoryReading (process)maahanmuuttoborderta616muistaminenlcsh:B1-5802media_commonrouteslcsh:NX1-820lcsh:Philosophy (General)undocumented personslcsh:Arts in generallandscaperefugeesWitnessmaahanmuuttajatItaliaEuropeborder districtsreititItalyrajaseudutraja-alueetFranceBorder zoneRanskapakolaiset
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Assessment of textile craft products’ creativity in the Latvian competition for pupils

2018

The purpose of the research is to explore the results of pupils’ creative activity in a competition in textile craft in Latvia and to find trends in the creation of textile craft products. The applied method is the analysis of creative work items made by pupils from Forms 6–7 (N1 = 106) and Forms 8–9 (N2 = 132): photos, designs and textile craft products. Among the hand and foot garments, the most popular products in both age groups were fingerless gloves. The knitting technique was used most frequently, and most of the items were wearable. Creativity predominantly manifested in the combinations of colours, techniques and materials, followed by creative technology solutions and creative pro…

EngineeringVisual Arts and Performing Artsbusiness.industrylcsh:NX1-820media_common.quotation_subjectLatvianlcsh:Arts in generalClothingCreativitylanguage.human_languageVisual artsUrban StudiesCompetition (economics)Product (business)CraftCreative worklanguagebusinessTextile (markup language)media_commonFORMakademisk
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